by Hannah the Zebra
This was one of those rare occasions when I felt like I had captured the perfect picture with my iPhone with the subject clear and the beautiful background perfectly blurred. It reminds me of Monet’s use of color in the background, or even sometimes in the full painting. Although he never worked in oranges to the best of my knowledge. The oranges are closer to Renoir’s use of color in the sunlight.
And here is a closeup.